The article differs greatly from the run in the mill gossip because, put simply, it’s been written and published for Rolling Stone Magazine, and said magazine is known to do top notch stories about musicians (which could be argued of course, both on “top notch stories” and Britney being a “musician”, but I digress). This is not Page Six. But among other things, the article is well documented and written, and it does not exploit Britney Spears – which is a feat in itself since the three ring circus of events in the troubled star’s life screams for exploitation. The article was fair and dwelled on facts and didn’t bank on Ms. Spear’s picture going commando. So yes, it is pretty much safe to say that this article elevated itself from the typical celeb gossip feature, and done so by sticking to facts rather than hearsay, by vividly painting actual information rather than blogging about Brit’s Icarus story with her two cents, and not just recreating what we seen on TV and read on other, much less classy publications.
2. How does the writer hold the reader's interest about a subject matter that is over exposed?
Vanessa Grigoriadis has done so by not just merely focusing on what is happening, but by also giving ample information on how (notice that it’s how, not why – no conclusion jumping) it happened, giving the readers a back story rather than jumping right in the fray of all the hoopla. She also wrote it masterfully, baiting us on every paragraph, making us wanting to read more. She made it suspenseful enough for the readers, offering different angles to a beaten down story.
3. How does the writer appeal to readers who are not admirers or sympathizers of this celebrity?
The writer did so by name dropping known celebrities, going as far as comparing Britney Spears to the
4. What voice does the writer use and does it work for the magazine's target audience?
The writer used the first person narrative on most parts. She also utilized a third person perspective in some. It works well because it’s direct, with the right amount of suspense, and keeps the reader glued to the article.
(Note: As for the magazine actually reaching its target audience is up for debate. We remember the time when Rolling Stone Magazine used to write about real bands, about being on the road, about the music, rather than pop stars and their tribulations with the press – their downward spiral. But then again what are rockstars? Mere pop icons that is subject for worship or ridicule. With that, the article worked, if their target audience is the ones clamoring for the
2 comments:
checked, posted late - Prof. Rome
correction. posted on time - Prof. Jorge
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